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Don Palathara’s ‘Shavam’, ‘Vith’ and ‘1956, Central Travancore’ are observational tracts full of beautiful “human landscapes”


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‘1956, Central Travancore’ (2019) premiered on October 5, on the Moscow Worldwide Movie Pageant. It’s concerning the energy of tales and storytelling

The Malayalam director Don Palathara has made three movies: Shavam (2015), Vith (2017), and 1956, Central Travancore (2019), which premiered on October 5, on the Moscow Worldwide Movie Pageant. All these movies are experimental. All these movies could possibly be referred to as non-narrative, as they resist standard plot and character improvement. All these movies are in black and white, operating from an hour to an hour-and-a-half. All these movies are set in Chrtistian communities, and are laden with Christian imagery. All these movies function various static photographs: the digicam continues to be, locked into no matter motion is going down shut or afar. In Shavam, the motion is centered across the demise of a younger father named Thomas. The whole movie takes place from the time the physique is introduced into the house – there is a wailing spouse, a barely dazed son – to the time the physique is taken for the funeral. The philosophy behind the “motion” on this time-frame could possibly be described as follows: let’s be a fly on the wall and observe what occurs.

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